What are we really saying when we describe something as ‘sublime’?
Kant used to say that it is the limit between beauty and horror.
If you see an amazing storm from your window, it’s marvellous but if you are in the middle of the sea, in a little boat and you know you may die, you feel fear and horror.

Tomorrow I will start my new optative class for my MA in History of Art. Very exciting!
I chose an interesting approach to contemporary art and how the term “sublime” is changing through artists and time.
I want to share with you this interesting article of Simon Morley, who clearly engaged the idea of modern art and the contemporary sublime.

Read it here

I love this beautiful text of Giorgio Agamben from his book “Profanations”. I really recommend the hole book, but particularly the 2nd chapter called “Magic and Happiness”, it´s extraordinary.

Walter Benjamin once said that a child’s first experience of the world is not his realization that “adults are stronger but rather that he cannot make magic,” The statement was made under the influence of a twenty-milligram dose of mescaline, but that does not make it any less salient. It is, in fact, quite likely that the invincible sadness that sometimes overwhelms children is born precisely of their awareness that they are incapable of magic. What ever we can achieve through merit and effort, cannot make us truly happy. Only magic can do that. This did not escape the childlike genius of Mozart, who clearly indicated the secret solidarity between magic and happiness in a letter to Jopseph Bullinger: “To live respectably and to live happily are two very different things, the latter will not be possible for me without some kind of magic; for this something truly supernatural would have to happen.”

Like creatures in fables, children know that in order to be happy it is necessary to keep the genie in the bottle at one’s side, and have the donkey that craps gold coins or the hen that lays golden eggs in one’s house. And no matter what the situation, it is much more important to know the exact place and the right words to say than to take the trouble to reach a goal by honest means. Magic means that precisely no one can be worthy of happiness and that, as the ancients knew, any happiness commensurate with man is always hubris; it is always the result of arrogance and excess. But if someone succeeds in influencing fortune through trickery, if happiness depends not on what one is but on a magic walnut or an “Open sesame!” — then and only then can one consider oneself to be truly andblessedly happy.